The Dance
After getting on the bus, I took my book from my bag and began to read; but soon I found something much more interesting to observe. A man and woman boarded the bus, actively having a conversation–or at least it appeared they were having a conversation.
It soon became clear that the conversation was pretty one-sided, with the man doing most of the talking. The woman listens attentively, nods, gives him an “um-hum” occasionally. The two of them sit down across from me. Both are professionally dressed, the woman in a cream and beige skirt/blouse/jacket combo, brown handbag. She’s younger than the man, probably in her thirties. She’s wearing tennis shoes, her work shoes in her handbag, presumably.
The man is middle-aged, dressed in a navy blue suit, French blue shirt, and burgundy tie. His starched cuffs protrude just right from his jacket sleeves as he sits. He carries a black, soft leather briefcase which he placed on the floor between his legs. He also placed his umbrella between his legs, leaning it on one knee and holding it loosely by it’s knobby top with his left hand. His hair is brown with gray flecks; his face is unwrinkled, self-assured; he is handsome enough to be a politician. The woman is quite pretty too, but not striking.
Middle-aged men are so often far from striking that when you see one that is handsome, with good hair, but without a belly, without varicosed legs and a three day growth of beard, he really stands out.
The man was talking about his job at the DOJ, explaining the legal aspects of the legislative process, dropping names left and right. Harry, Tom, Judy, Dick…except for the names, which became like a guessing game for me (“Barbara…is that Boxer or Mulkulski?”) I couldn’t follow the particulars of his conversation. He didn’t sound completely pompous, just confident that the woman must be as interested as himself in his very important work.
Then I heard something, and if I heard it right, it was the mating call of the Man in the Navy Blue Suit. I saw the ritualistic dance, too. He wanted her to know he was a significant person in government, as well as a person of wealth and means. He made a reference to his car, a Mercedes which he needed to get serviced this weekend. And maybe he was thinking of getting something else serviced, too. He rubbed the knob of his umbrella almost rhythmically as he talked.
Did I mention there was a wedding band on his finger?
He was like a male peacock displaying his feathers. And then he made his overture to the female. She had been listening attentively, and now she had to get off. As she stood up, he said, “Here, here’s my business card. Call me or email any time.” She took the card, said “Thank you,” and got off.
As the bus pulled away, the man’s smile faded, feathers drooped. He coughed. His hand slowed it’s stroking of the umbrella handle and then finally came to rest. It was an odd display, that last bit with the business card. Maybe he sensed it was a little off beat, maybe just a little. Maybe just enough.
It’s been a long time since I’ve witnessed the dance first hand, and the dance at 20 is different than the dance at 50. I won’t even begin to make a comparison across the age spectrum, because I never learned the dance to begin with. It didn’t necessarily hold me back, though. I found a good mate anyway who accepted me despite my lack of social skills.
But you can tell when someone is attracted to someone else. It’s always fascinating to see how they disguise it while at the same time, showcasing it. I think the business card was meant to be a final display of confidence. He was following the bad advice of so-called alpha males (otherwise known as jerks) the world over: be the flame, not the moth. Let her chase you. Let her make the phone calls. Call her back…or let her hang a day or two and then call her back.
Somehow I got the impression he’d stumbled there on the last step of the dance, though. Maybe the whole dance was a lost cause from the beginning, though the woman did seem interested in him. Women are inscrutable to men, though. We never know what they really think…unless they tell us, in which case we sometimes rather wish we didn’t know after all.
This was just a short scene I noticed today, subject to my interpretation and maybe even misinterpretation. There is a whole story behind it, however, if some novelist wanted to flesh out the structure. Why was he making this move on this woman who, apparently, was a complete stranger? Or had she perhaps instigated the conversation? Did they work together, passing in the hallway day after day until finally they spoke a few words? What was their private lives like?
All I can say is, there’s a story for a better story-teller than me.